history of the blues

Early blues songs also contained elements of ragtime, a multi-rhythmic musical genre that pretty much disappeared after the end of World War I. Levine stated that "psychologically, socially, and economically, African-Americans were being acculturated in a way that would have been impossible during slavery, and it is hardly surprising that their secular music reflected this as much as their religious music did. Dick Waterman and the blues festivals he organized in Europe played a major role in propagating blues music abroad. [131], This article is about the music genre. Early blues frequently took the form of a loose narrative. [47] A form of this pre-blues was heard in slave ring shouts and field hollers, expanded into "simple solo songs laden with emotional content". A Short, Sad History of the Blues Roots. [56] The banjo seems to be directly imported from West African music. The blues evolved from informal performances in bars to entertainment in theaters. [127] Jimmie Rodgers, Moon Mullican, Bob Wills, Bill Monroe and Hank Williams have all described themselves as blues singers and their music has a blues feel that is different, at first glance at least, from the later country pop of artists like Eddy Arnold. Contemporary African-American performers who work in this style of the blues include Bobby Rush, Denise LaSalle, Sir Charles Jones, Bettye LaVette, Marvin Sease, Peggy Scott-Adams, Mel Waiters, Clarence Carter, Dr. "Feelgood" Potts, O.B. ", "The Evolution of the 12-Bar Blues Progression", "A Jazz Improvisation Almanac, Outside Shore Music Online School". [44] This period corresponds to the transition from slavery to sharecropping, small-scale agricultural production, and the expansion of railroads in the southern United States. His first hit, "Boogie Chillen", reached number 1 on the R&B charts in 1949. Charles Peabody mentioned the appearance of blues music at Clarksdale, Mississippi, and Gate Thomas reported similar songs in southern Texas around 1901–1902. In the 1930s, Lomax and his son Alan made a large number of non-commercial blues recordings that testify to the huge variety of proto-blues styles, such as field hollers and ring shouts. Spirituals or religious chants in the African-American community are much better documented than the "low-down" blues. You know they killed my sister and my brother [75] The smooth Louisiana style of Professor Longhair and, more recently, Dr. John blends classic rhythm and blues with blues styles. [77], In 1920 the vaudeville singer Lucille Hegamin became the second black woman to record blues when she recorded "The Jazz Me Blues",[78] and Victoria Spivey, sometimes called Queen Victoria or Za Zu Girl, had a recording career that began in 1926 and spanned forty years. B. Lenoir, but the saxophone was used as a backing instrument for rhythmic support more than as a lead instrument. When Jerry Lee Lewis returned to country after the decline of 1950s style rock and roll, he sang his country with a blues feel and often included blues standards on his albums. Other harp players such as Big Walter Horton were also influential. 44–47: "As marketing categories, designations like race and, Garofalo, p. 27. Rebecca, Rebecca, get your big legs off of me, The writer Ed Morales claimed that Yoruba mythology played a part in early blues, citing Robert Johnson's "Cross Road Blues" as a "thinly veiled reference to Eleggua, the orisha in charge of the crossroads". One blues rock performer, Jimi Hendrix, was a rarity in his field at the time: a black man who played psychedelic rock.

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