The Rock 'N' Roll Era: 1962 - Still Rockin', Wonderful World: The Very Best of Sam Cooke 1957-60, The Complete Solo Singles, As & Bs, 1957-62, Guardians of the Galaxy: Awesome Mix, Vol. In June 2011, the city of Chicago renamed a portion of East 36th Street near Cottage Grove Avenue as the honorary “Sam Cooke Way” to remember the singer near a corner where he hung out and sang as a teenager. The CD is a sing-along from the first selection, "You Send Me," to the last, "Summertime." Buy this Track. Heralding a bolder phase in his career he recorded singles like bluesy, romantic “Sad Mood,” the idyllic romantic soul of “Cupid,” and the straight-ahead dance tune “Twistin’ the Night Away” (a pop Top Ten and a number one R&B hit), and “Bring It on Home to Me”. ABOUT | Here is “Bring It Home To Me” from that concert: Like most R&B artists of his time, Cooke focused on singles; in all, he had 29 top 40 hits on the pop charts and more on the R&B charts. Bring It On Home To Me - Sam Cooke - 1962 Notes: "Bring It On Home To Me" later also charted for the Animals (1965), Eddie Floyd (1968), and Lou Rawls (1970). Greaves doing "Cupid" and Percy Sledge on "You Send Me." This 24-song disc has a wide variety of Sam Cooke songs, many also produced by him for his various labels. I WANT TO GO HOME - Charles Brown & Amos Milburn [Ace 561] 1959, Sam Cooke - Live At The Harlem Square Club, 1963 - Bring It On Home To Me, The Animals - Bring It On Home To Me (Live, 1965) ♫♥. | Gold Supporters see zero ads! There are hits like "When A Boy Falls In Love" by Mel Carter and Eddie Floyd's version of "Bring It On Home To Me." ARTICLES | I put more of a driving blues feel to it. The group was a pioneer in the development of the quartet style of gospel, and a major influence on soul, doo wop, and motown, some of the secular music that owed much to gospel. Everybody was just having a ball. Constraints against gospel performers performing secular material were strong and woven deep into the fabric of the black community. MORE BROWSE SONG LISTS | This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register. Produced by Hugo & Luigi and arranged and conducted by René Hall, the song was the B-side to "Having a Party". A second, final take leaves Lou Rawls as the only echoing voice. He was a prolific songwriter and wrote most of the songs he recorded. The pair hit it off and eventually ended up at the Hacienda Motel. RCA 1962. The song was aiming for a sound similar to Cooke’s former group, the Soul Stirrers. ", Sung as a duet/two-part harmony with then-relatively unknown Lou Rawls, the song is stripped-down and pretty raw by Cooke's secular pop standards -- even with the light string orchestration. At the time of these releases, he was mostly identified through his singles, which were among the best work of their era, and had developed two separate audiences, among white teen and post-teen listeners and black audiences of all ages. The bulk of the 1961 recording is dominated by Ernie Freeman's piano, drums, a little sax riffing, and, above all, the vocal harmonies of Cooke and Rawls.
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